After animated specials, a feature-length film and animated television series like the wildly popular "My Little Pony: Friendship Is Magic," our magical unicorns are now a worldwide phenomenon. It all began in 1983 with Hasbro's adorable My Little Pony toys. Welcome, My Little Pony fans! As fellow Bronies, we're proud to be part of the Brony Herd. We do not make any claims to the medical benefit of face masks purchased from us. We make no medical claims regarding the usage of these masksĭue to sanitary reasons, all face mask sales are final and cannot be returned. As with all health decisions, please consult your trusted medical professional to determine compatibility with your personal situation if you are seeking a face mask to wear in relation to medical issues. Be sure that the mask is covering the face from the nose to underneath the chin.įabric masks will not replace N95 masks, but may help you if you have nothing else to wear. With a filter slot available for extra filtration, this MLP face mask is machine washable and is made out of lightweight cotton or a cotton poly blend. This My Little Pony PPE protective cloth face mask is constructed to provide the wearer with dual-layer protection when they’re out shopping for groceries or out for a walk around the block.
While some facets of the story material depart from the expected, Fletcher argues that the representations of species interactions often rely on ethnocentric stereotypes and cultural essentialism.Show the world that you’re not only one of the most-dedicated bronies in the world, but that your first priority when you go out into the world is safety. Referring to a number of contentious episode examples, however, the chapter argues that some of the non-pony characters in the series stand for real-world ethnic groups. The chapter discusses how the series is based on “post-raciality” insofar as pastel-coloured ponies can be read as any race in the storyworld. The second part of the chapter provides a much-needed critical examination of the show’s racial politics. Despite different levels of wealth and social power in the core ensemble (and in the larger web of characters), the chapter argues that MLP: Friendship Is Magic emphasises communalism and social cooperation rather than “post-feminist” individualism. The first part of the chapter focuses on the operation of individual and collective agency in the storyworld and how this is linked to contemporary gender politics. Fletcher makes progress in an under-researched area by developing an argument around the feminist sensibility of children’s animated programme My Little Pony : Friendship Is Magic (hereafter MLP: Friendship is Magic).
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